One spot color must also have been previously defined. Mixed inks can be created using the Swatches panel menu. Mixed inks are combinations of at least one spot color and another spot or process color. Tints can be created from named colors using the New Tint dialog box. Tints are colors that have been screened so that only a percentage of their color appears on the page. Other names for spot colors are specialty, second color, fifth or sixth color, or flat colors. Spot colors can be defined by the user or you can use the commercial spot color libraries produced by companies such as Pantone Use the New Color Swatch dialog box set to Spot. Spot colors can be mixed to display colors that could not be created using simple CMYK colors. In a brochure is printed using metallic gold ink, not a combination of CMYK colors. Spot colors are specialty colors that are printed without using the four process color inks. Use the Color panel set to LAB or the New Color Swatch dialog box set to LAB or the Color Picker in the LAB mode. With RGB, you should not define print colors using this system.
#Fade color in adobe indesign cs3 plus#
The LAB is another light-based color model that uses luminance (L) combined with the green to red (A) plus yellow to blue (B). You must use a program such as Adobe Photoshop to convert those images to CMYK. Use the Color panel set to RGB or the New Color Swatch dialog box set to RGB or the Color Picker in the RGB mode. RGB colors can be used to define colors for documents that will be displayed onscreen. Because RGB colors are based on light waves, not inks, there will always be a slight difference between colors defined as RGB and those defined as CMYK. RGB stands for the red, green, and blue lights that are used in computer monitors to display colors. Use the Color panel set to CMYK or the New Color Swatch dialog box set to CMYK or the Color Picker in the CMYK mode.Ĭolor images are saved in the CMYK mode before they are imported into InDesign. Most magazines and brochures are printed using the four process This is the primary type of color used in color printing. Here’s a quick primer to help you understand what happens when you define and apply colors in your InDesign layout, as wellĬMYK stands for the cyan, magenta, yellow, and black inks that are combined to create other colors. You also need to make sure your colors are defined so they print correctly. Wearing that hat you need to understand some of the principles of color and Your second hat is that of production manager. This is where you have fun with your creativity. Your first hat is that of a designer who looksĪt the aesthetics of the page and then applies colors. When you define colors and use them on your pages, you are wearing two hats. However, with that power comes some responsibility. InDesign gives you, right from the first day you use it, all the colorĬontrols you could ever wish for. Later on they might be able to work on a two-color job, but the four-color work was handled by seniorįortunately, you’re not limited by such constraints. The junior teams were assigned onlyīlack-and-white ads. When I first started in advertising, only the senior creative teams could work in color. Although color is part of your everyday life, in order to get it to look the way you want in your printed pieces you need a solid understanding of how it works.InDesign CS3 for Macintosh and Windows: Visual QuickStart Guide This chapter explains the basic theory behind color and InDesign's use of it.
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You also have implementation issues to consider: How many colors can your printing press produce, and how much will it cost? When do you decide to go for the exact pure color, and when do you decide to go with a close-enough version that's cheaper to print? How light reflects off of ink and paper to your eye determines the color you see, and many factors (particularly different textures of paper) can affect the physics of how the light carries the color. The inks that produce color are designed chemically to retain those colors and to produce them evenly, so your images don't look mottled or fade. But color is a complex issue in printing, involving both physics and chemistry. You see color every day, so it probably seems like working with it should come naturally.